Stage Fright
Forced into doing a school play where I play second to the teacher’s “Sarah.” I’m meant to be the leading lady with one song where I lament about work before catching the eye of the lead, played by B. We’re late and instead of rehearsing the teacher decides to run through once with a paying audience. Outside the cafeteria, I put on my makeup and start going over the song but as it comes time to walk in I can’t remember enough of the words and back out. Flustered, I explain how I can’t bring myself to ruin the show further and the teacher steps in herself. Green screen effects are filmed on set and people grumble about it. One woman points out how the teacher’s topless in one scene (she’s drifting across the screen, acting as if she’s underwater) and another surrounded by kids squawks back at her that of all the things in the play, that’s what she’s upset about? They get into an argument about how mothers shouldn’t be ashamed of their bodies and I slump back in my chair.
I’m at a table with a bunch of rednecks who blame me for the play falling apart. They’re all in plaid and chewing snuff. One of them admits I would have been a better fit for the part. I hand the script over to the only one holding his tongue, who tells me he’s going to draw up an outline minus the songs so we can keep everything organized. Leaving, I pass him sitting at a typewriter and he hands me what he’s got so far. I walk up behind B. who’s carrying his dog Maggie, used during a green screen scene, only now her flowy red hair is cropped and white. She appears frozen in flight. He stops to chat with a woman and an old man missing his legs sitting in a small tub of sand on a bench. I stop and smile and they agree I should’ve been in the play. A large dried out insect — a bee or a fly — whines beside them and flexes its wings. They laugh, but everyone else flees and mutters how “that thing’s going to kill somebody.” We board a bus to leave, and I relax a little knowing the play wasn’t a disaster because of me.
– December 28, 2012

© Dennis Skley